|“||I knew that tuna-head wasn't up to much!||„|
The 1998 incarnation of Zilla is called "Godzilla" in the film, and is still legally trademarked under that name in all media released prior to Toho acquiring the rights to the creature in 2004.
Physically, Godzilla 1998/Zilla resembles a giant-sized, flesh-eating dromaeosaur, with some inspiration from iguanas. He has a rough, square-shaped underbite and a pronounced chin, a long neck, large, fin-shaped scutes (which differ greatly from Godzilla's maple leaf-shaped dorsal plates), and long, powerful legs and arms. He also possesses a seemingly vestigial toe, on the back of, and three dinosaur-like toes on the front of each of its 13.7-meter-long feet.
The 1998 Godzilla was originally a very animalistic, illusive and evasive, yet clever creature in his first film appearance, and he kept most, or at the very least, some, of these traits later on. He mostly ate fish, making him a piscivore, which he would also give his offspring. When being attacked, he would try to confuse his offenders and then attack them back, and he even faked his own death when the two Ohio Class Nuclear-Powered Submarines shot two torpedoes at him. After his offspring were killed when the Madison Square Garden was bombed by the military, he showed a great amount of anger towards the main characters, who he may or may not have known were somewhat behind their deaths.
In his later appearances in Godzilla: The Series, Godzilla: Final Wars, and Godzilla: Rulers of Earth, Zilla, or Cyber-Zilla in Godzilla: The Series's case, was shown to not run away nearly as much and tried to fight even when outmatched. In Godzilla: Final Wars, he faced Godzilla head-on, a move that, while not smart, was brave, although this could be because he was under the Xiliens' control and was forced to fight Godzilla. In Godzilla: Rulers of Earth, he retained many of the same abilities and characteristics of his 1998 appearance, although he lost his cowardly nature. He faced Godzilla head-on once again, evaded his attacks, and landed several attacks of his own. However, he retreated to the sea when Godzilla was close to killing him and he had just barely escaped Godzilla's grip. When Zilla resurfaced for the final battle against the Trilopods, Zilla attacked head-on and viciously killed and wounded multiple Trilopods.
The 1998 Godzilla is a giant mutated marine iguana originating from a nuclear test in the Maruroa Atoll Islands of French Polynesia. As the test was done in the summer of 1968, the creature grew over a period of approximately thirty years. His irradiated genes caused him to achieve a height of about sixty meters.
Zilla's origins go unexplained in Godzilla: Final Wars, and he is never even mentioned by name in the film. According to supplementary materials for the film, Zilla is a monster "closely resembling" a monster that attacked New York City in 1998 and may be the same creature, though this is "unconfirmed," an obvious inside-joke referencing the 1998 film.
In Godzilla: Rulers of Earth, Zilla's origins are never directly discussed, but it is established that he is part of the natural balance of Earth, along with all of the other Earth kaiju. Zilla's appearance on the Infant Island mural suggests that he is an ancient creature, instead of a mutated iguana like his previous incarnations.
HistoryKobayashi Maru, and then stomped across Panama. From there it traveled up the American Eastern Seaboard, where it sank several American fishing boats. Later on, the creature arrived in New York City, wandering through the city and causing major damage. Eventually, it was lured into Flatiron Square with 20,000 pounds of fish. After escaping a military attack, the monster stomped through New York, necessitating the evacuation of the entire city. The monster was later labeled "Godzilla," after the lone survivor of the monster's attack on the Kobayashi Maru identified it as "Gojira." The military battled Godzilla extensively, and seemingly killed it in the East River with torpedoes.
However, it had laid 228 eggs in and under Madison Square Garden (an arena in Midtown Manhattan), which hatched and filled the Garden with hundreds of Baby Godzillas. The military bombed the Garden, slaying the infant 'Zillas. However, Godzilla then revealed itself to have survived, bursting up from underneath the street, and, after seeing its dead offspring, chased the heroes through New York across the Brooklyn Bridge, where it became entangled in the suspension cables. It was then killed by F-18 Hornets.
One unhatched offspring survived the destruction of Madison Square Garden. When it hatched, it imprinted upon Dr. Niko Tatopoulos shortly after the doctor discovered the egg. From there, the new Godzilla accompanied Tatopoulos and his team, H.E.A.T., on their missions against various monsters mutated by nuclear experiments in Godzilla: The Series.
In a recap of the 1998 film, Zilla is killed on the Brooklyn Bridge.
After his death, his body was taken to a military base where it was studied. The base was eventually overtaken by Tachyons, who used their technology to resurrect Zilla. He was then sent to eliminate H.E.A.T., who had sneaked in to the facility, and when Zilla Junior arrived to save them, he refused to fight his father and was taken under control of the Tachyons. The father and son team gave chase, but were distracted by N.I.G.E.L., which allowed H.E.A.T. to escape. Cyber-Zilla and the other Mutations under Tachyon control were then sent out to various cities in order to destroy them. Zilla was chosen for Tokyo.
The other Mutations were saved from the control of the Tachyons, but Zilla remained loyal. He soon confronted his son, who decided to fight for H.E.A.T. rather that Zilla. The two began to fight, and Zilla lost his robotic arm before Zilla Junior drove him into the water and ripped his inner mechanisms apart, killing him again.
Critics say that this short battle was meant to show Toho's displeasure towards Sony and TriStar with their handling of the Godzilla franchise. Others say the significant difference in size, speed, and abilities between the two showed it truly played out the way it should have.
While not as physically powerful as the Japanese Godzilla, Godzilla 1998 has shown a high amount of physical strength. He is able to sink three fishing boats by pulling them underwater despite them moving at full speed. He also dredged a large freighter onto shore with ease.
Both incarnations of the creature are extremely agile, possessing a land speed of 300 miles per hour. This speed was showcased in the 1998 film when Godzilla was able to outrun multiple squadrons of AH-64 Apaches and, despite being in point-blank range, was able to dodge and avoid missiles launched at him with ease.
Both incarnations of the character have shown an ability to camouflage to some extent. The 1998 Godzilla's skin color allows him to blend in well with New York City's architecture. This Godzilla also possesses an incredibly low body temperature, which renders him colder than his surroundings and unable to be detected by the military's thermal scanning.
Biting and Slashing
Godzilla 1998 has five-foot-long teeth and six-foot-long talons, which allow him to burrow through tough surfaces and chomp steel helicopters with little recoil.
He also has shown a remarkable burrowing ability, able to excavate the thick tar and concrete around New York with ease. Using this advantage, he was able to escape and hide from the United States Army. This ability is also present in Zilla in Godzilla: Rulers of Earth, which allowed him to evade and ambush Godzilla.
Durability-wise, small arms fire is useless on him as well as standard tank rounds. The F-18 Hornet's missile compliment proved strong enough to kill him, however it required at least twelve missiles to kill him.
Godzilla 1998 lacks the Japanese Godzilla's iconic atomic breath, though he possesses a Power Breath (strong flammable winds of gas) which he can also ignite to form a wall or blast of flames. This Power Breath can send things weighing several tons flying away, including cars.
In Final Wars, Zilla is said by director Ryuhei Kitamura to possess an "acidic flame breath." This is most likely a variation of his previous incarnation's power breath, but it is never seen in use, only hinted at when Zilla emerges from behind an explosion similar to the one caused by Godzilla's power breath in the 1998 film.
When the 1998 Godzilla was revived and upgraded as Cyber-Godzilla in Godzilla: The Series, he gained a blue atomic breath, much like the Japanese Godzilla's. His son from Godzilla: The Series possesses a green atomic breath. In some of Patrick Tatopoulos' concept artwork for the 1998 film as well as in some artwork for merchandise related to the film, Godzilla is depicted firing atomic breath.
The 1998 Godzilla is capable of asexual reproduction, and is shown to have laid over 200 eggs in Madison Square Garden. The fact that this Godzilla laid eggs has led to a prevalent misconception regarding the character's gender, however like all other versions of Godzilla the 1998 Godzilla is officially recognized as a male creature, even in spite of its reproductive ability. Despite the monster's official gender, designer Patrick Tatopoulos has revealed that female genitalia were sculpted onto Godzilla's CGI model, though this is not plainly visible in the film.
While Godzilla 1998 relies on instinct to a greater degree than the Japanese Godzilla, he is still shown to be capable of thinking in the midst of a battle and forming strategies. Throughout the 1998 film, Godzilla eludes the United States military, causing them to ultimately cause more damage to New York City than he does. Using his speed and camouflage, Godzilla evades several military helicopters and attacks them from behind. Later, he fakes his death by two torpedoes, causing the military to call off their attacks and allowing Godzilla to resurface later.
In Godzilla: Final Wars, Zilla does not exhibit a great deal of strategy, as he (perhaps foolishly) attempts to attack Godzilla head-on, only to be swatted aside and quickly dispatched by his atomic breath. In Godzilla: Rulers of Earth, Zilla seems to regain the 1998 Godzilla's intelligence, as he exhibits strategy in his battle with Godzilla, using his burrowing ability to evade a blast of Godzilla's atomic breath and even pulling Godzilla into the military's line of fire while the latter is grappling him. When Zilla realizes he has no chance of winning the fight, he waits for an opportunity and escapes to the ocean while Godzilla is distracted. Zilla later somehow manages to avoid capture by the Trilopods when they attack the Monster Islands, and knows to travel to Los Angeles to join forces with the other Earth monsters and battle the Trilopods.
In Godzilla: Rulers of Earth, Zilla displayed the ability to use his scutes as a weapon. Zilla ran at a Trilopod and bent downward, causing his scutes to slice its neck.
- GODZILLA (as Godzilla)
- Godzilla: The Series (as Godzilla and Cyber-Godzilla)
- Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (mentioned)
- Godzilla: Final Wars (as Zilla)
- G-Patrol VR: Combat Simulator (as Godzilla)
- Godzilla (1998 Pinball Game) (as Godzilla)
- Godzilla: Online (as Godzilla)
- Godzilla: Virtual Shakin' (as Godzilla)
- Godzilla: Trading Battle (as GODZILLA)
- Godzilla Generations (as Godzilla-USA/USA-Godzilla)
- Godzilla: The Series (as Godzilla)
- Godzilla The Series: Monster Wars (as Godzilla and Cyber-Godzilla)
- Godzilla: Unleashed (Scrapped, as Zilla)
- Godzilla: Kaiju Collection (as Zilla)
Zilla appears in the first issue of Godzilla: Rulers of Earth as a rogue kaiju. He is first sighted by a submarine which mistakes him for Godzilla. He later makes landfall in Honolulu, Hawaii and is given the identification as "Zilla" due to radio interference. He then goes on a rampage while fighting the CKR forces stationed there before being attacked by Godzilla, who has also arrived, and the two monsters prepare to fight. Godzilla tail-smacks Zilla into a building and blasts him with his atomic breath, similar to the way Godzilla finished him in Godzilla: Final Wars. However, Zilla burrows underground and avoids the blast. Zilla then digs behind Godzilla and ambushes him. Godzilla and Zilla engage in a heated physical battle until Godzilla grabs Zilla by the neck and chokes him. Before Godzilla can kill Zilla, CKR opens fire on Godzilla, distracting him long enough for Zilla to escape to the sea.
In this series, Zilla bears more of a resemblance to his 1998 Godzilla design as opposed to his 2004 Final Wars design. Although any real powers have yet to be seen, he appears to have an extremely thick hide as implied to him sustaining multiple hits from artillery fire. He also is very quick and actually does not run away strictly like his 1998 film incarnation, but instead has an attitude more like the animated series incarnation, not running away until Godzilla almost kills him.
Zilla reappears in Rulers of Earth #13, where he is spotted swimming in the waters around the Monster Islands. Zilla apparently avoided capture when the Trilopods invaded the Monster Islands, as he was not seen inside the Trilopod hive.
Zilla returned in the final issue, where he suddenly appeared in Los Angeles and saved Jet Jaguar from a Trilopod with Godzilla's characteristics. Zilla then took part in the final battle against the Trilopods alongside Godzilla and the other Earth monsters, managing to injure and kill several of the creatures. Zilla attempted to battle Magita, the gigantic Trilopod queen, but was kicked aside by its massive legs. After Godzilla destroyed Magita, Zilla and the other monsters followed Godzilla out to sea.
- Main article: Zilla/Gallery.
- Three music videos taken from Godzilla: The Album feature Godzilla 1998.
- In the the episodes "Tales Of Suspense Part 1 and 2" of the Marvel Animated Series Iron Man: Armored Adventures, the Makluan Fin Fang Foom has Zilla's roar.
- The Terrorcons Cruellock and Doomlock from Transformers Energon are directly based on Zilla's design. Cruellock in particular looks like Cyber-Zilla due to its color scheme.
- In Pokémon the Movie: Kyurem VS. The Sword of Justice, the legendary Pokémon Kyurem has the roars of Zilla.
- In the video game LEGO Batman 3: Beyond Gotham, a dinosaur in the Batcave's Trophy Room uses Zilla's roar when activated.
- Footage of the 1998 Godzilla appears in the 2014 music video "Godzilla" by Mefjus and Dope D.O.D.
The roar of Godzilla 1998/Zilla seems to be a mix between the roars of the Japanese Godzilla from the 1960's-1970's and elephant sounds, demonstrated when he got hit by torpedoes and groaned like an elephant. When submerged, Godzilla 1998 made a moaning sound created from the song of a humpback whale. The monster's roars were made by Gary A. Hecker and Frank Welker. In Godzilla: Rulers of Earth, Zilla's roar is written as "SKREEEEEENK."
The 1998 monster's roars were later used for the Japanese Godzilla in the American version of Godzilla 2000 and his cameo appearance in Always: Sunset on Third Street 2. Zilla in Godzilla: Final Wars also used these same roars, only slightly modified.
In Other Languages
- Russian: Зилла
- Bengali: জেলা
- Chinese: 斯拉
- Gujarati: જીલ્લા
- Hebrew: זילה
- Hindi: जिला
- Kannada: ಜಿಲ್ಲಾ
- Korean: 질라
- Marathi: जिल्हा
- Telugu: జిల్లా
- Urdu: ضلع
- Yiddish: זיללאַ
- Zilla was considered for Godzilla: Unleashed, but didn't make the cut due to his lack of popularity during production on the previous games.
- Despite appearances, the 1998 Godzilla is a mutated marine iguana, and not a dinosaur like the Japanese Godzilla.
- The 1998 monster was designed based on only the instructions that it should be agile and fast.
- Both versions of this monster's colors suit him to better camouflage within an urban environment, so as to be harder to spot. In the 1998 film, Godzilla's body is a silvery blue to almost black color, allowing him to blend in with New York's architecture. In Final Wars, Zilla's body is a stone gray color, which blends in better with Sydney's architecture.
- This monster's attack on New York City was referenced in Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack; although the American experts believe that it was Godzilla, the Japanese do not.
- Toho had clear communication with TriStar during the development of the 1998 film. When asked about Hollywood's 1998 film interpretation of Godzilla, Shogo Tomiyama stated: "There was always very good communication between Tokyo and Hollywood. We knew exactly how they were going to do it, and we knew what Godzilla was going to look like."
This is a list of references for Zilla. These citations are used to identify the reliable sources on which this article is based. These references appear inside articles in the form of superscript numbers, which look like this: